Marbles in a Jar - practice technique

I remember many years ago reading a biography about a famous violin player who talked about this method for preparing solidly for performance. I remember the method so clearly, but have unfortunately forgotten the violinist to attribute this to. It requires a jar, and 10 marbles.

Choosing a particular section to work on (chunking) – he would focus on this part to play through. If he got the section completely correct, one marble would go in the jar. If he got the section completely correct again, another marble would go in the jar… then another. If he played the section and made even a small mistake, ALL the marbles would be taken out of the jar and he would start again from zero. The aim was to get 10 marbles in the jar.

A few very important things to keep in mind if trying this method:

1. Make sure the chunk you have chosen and speed you are playing at is one where you can manage to play perfectly without it being too difficult (or you will end up wanting to throw your violin out the window in frustration!). Set yourself up to work and concentrate hard, but succeed in the end!

2. I recommend starting out with 5 marbles in a jar.

3. You have to be very honest with yourself here… don’t let yourself get away with that mistake!

4. I love to use this method with my students… but with small chocolates instead of marbles. If they get to 5 chocolates in the jar, they get to choose which one they would like to have at the end. It’s amazing how a little extra motivation like this can focus the mind and make a previously unplayable section very carefully practised in!

Snow Lion - Tibetan singing and dranyen with strings

 And now for more music inspiration I hope you will enjoy - mixing of chamber string orchestra with traditional Tibetan music.

Here is the wonderful Tibetan musician Tenzin Choegyal playing the dranyen and singing, with Camerata - Queensland's Chamber Orchestra.  The piece is called Snow Lion, and was arranged for the ensemble by cellist Katherine Philp.

This album Yeshi Dolma was a delight to get to work on, and I hope you enjoy Tenzin's incredible voice.

How to practice perfectly

Only perfect practice makes perfect... this is a big deal.  What this means is that when practising, you only ever want to let yourself play anything as you would like to perform it.  That way you are only ever programming in to your brain and body, the perfect result you want to get out.

But how can you practice something perfectly when you can't play it yet?!  Working out this puzzle is the key to practice!

Of course an important part of this puzzle is to first choose your music carefully - enough of a challenge to stretch you, but not so hard that you cannot technically master it.  Beyond this, I have two favourite practice techniques in my toolbox that I always recommend:

1.  Chunking - isolating out one small section to work on, perhaps so small it is only a couple of notes.

2.  Practice slowly (and I mean really slowly... seriously, much more slowly than you are probably thinking right now!).

If you make a problem section small enough, and slow enough, you should be able to master it with all the physical co-ordination requirements clearly ordered.  Then it is just a matter of a few perfect repetitions of this section to 'programme it in'.  Repeat this over a few days and you should see clear progression.

You can then use a method such as 'marbles in a jar' (explained in a later post) to effectively and perfectly practice this section, particularly if you want to be extra secure for performance.

When I was a student, I had a sticky note on my music stand clearly prominent with the words - Practice makes PERMANENT!  It was a very helpful reminder to me during those years, and I think an important thing to always keep in mind whenever you pick up your instrument (or do anything in life).

Practice makes perfect

Practice makes perfect - such a common saying particularly in the world of learning music.  Sadly this saying is only half true.

Practice makes permanent!  Only perfect practice makes perfect

This should be the actual saying, and it is a very important distinction.  Whatever you practice will become permanent, and this is so important to think about when playing your instrument.  If you let yourself get away with bad habits, they will become permanent (or at least very hard to fix!).

The trick to getting better is not the amount of time spent practising, but rather regular intentional and careful time with your instrument.  Always be aware of what you are training your brain and body to do while playing, and whether or not that is actually what you want to become your permanent habit.

Practising while keeping this in mind is so much more tiring, and requires careful and constant attention to detail.  You will probably find you cannot practise for as long when you start focusing like this at all times.  My top tip for helping focus while practising - dark chocolate 85% and up!

Chill Monday morning string vibes

Looking back on past perfomances this cold Monday morning, I thought I might link to a video I performed in from a few years ago to ease in to the coming week.

Here is a gorgeous composition by composer Erik Griswold (playing the prepared piano) with the wonderful musicians from Camerata - Queensland's Chamber Orchestra.  It is from a larger work called Hollows out of Time, and this movement is called Drifting Clouds.